Working in cycles, adapting to context and his current desires, he transitions from the conceptual to the expressionist, from construction to destruction, forging connections between these various processes. Fascinated by the power of minimalistic art as well as the depth of complex and intricate works, he takes pleasure in exploring the artistic realm that lies between the two.

His early style, grounded in typographical work and clean figuration, primarily influenced by his practice of graffiti and graphic design, has gradually evolved into an abstract universe. This evolution results from his ongoing dialogue with the architecture and atmospheres of the spaces that host his creations. He envisions and freezes fragments of a perpetually changing world, creating a sense of in-between, an unstable equilibrium, where geometric forms and unstructured lines contrast within nested spaces that play with movement and perception.